Short, Easy Dialogues

15 topics: 10 to 77 dialogues per topic, with audio

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February 22, 2018: "500 Short Stories for Beginner-Intermediate," Vols. 1 and 2, for only 99 cents each! Buy both e‐books (1,000 short stories, iPhone and Android) at Amazon (Volume 1) and at Amazon (Volume 2). All 1,000 stories are also right here at eslyes at Link 10.


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Dec. 18, 2016. All 273 Dialogues below are error‐free. NOTE: The number following each title below (which is the same number that follows the corresponding dialogue) is the Flesch‐Kincaid Grade Level. See Flesch‐Kincaid or FREE Readability Formulas, or Readability‐Grader, or Readability‐Score. These grade levels are not "true" grade levels, because the dialogues are not in "true" paragraph form (because of the A: and B: format). However, the grade levels are true in the sense that they are truly relative to one another.


Stoya In Love - And Other Mishaps Hot!

“That is the mishap,” she writes. “Not the pain—I was prepared for pain. The mishap was the lack of aesthetic. The universe forgot to make my suffering beautiful.” It would be easy to read this collection as a cynical indictment of romance. It is not. For all her sharp edges, Stoya is a desperate romantic. She admits this with the same honesty she uses to describe a bad sexual encounter.

This level of self-indictment is rare. It is what elevates Love and Other Mishaps from a collection of dating horror stories into genuine literature. Stoya is willing to be the bad guy. She understands that love’s mishaps are rarely one-sided; they are a system of mutual failures. We live in an age of performative love. Weddings are produced for TikTok. Breakups are announced via joint Instagram statements. Therapyspeak has been weaponized to end friendships (“I’m setting a boundary” used to mean “I don’t want to see you anymore”). stoya in love and other mishaps

Consider her description of a first date gone wrong. She breaks down the man’s posture (“his left shoulder higher than the right, suggesting a chronic defensiveness”), the lighting of the restaurant (“too harsh, revealing every micro-expression like a 4K interrogation”), and the pacing of the dialogue (“he was rushing his coverage, trying to hit the emotional beat of intimacy fifteen minutes too early”). “That is the mishap,” she writes

Stoya writes: “We want to be known, but we also want to be desired. When someone knows you too perfectly, too quickly, you have to ask: did they learn this, or did they just download a map of your weaknesses?” What makes “Stoya in Love and Other Mishaps” distinct from other memoir-essay hybrids (like Roxane Gay’s Bad Feminist or Olivia Laing’s The Lonely City ) is the author’s professional history. Stoya spent years on film sets where everything was scripted, lit, and framed. In her essays, she weaponizes that technical gaze against the chaotic mess of real life. The universe forgot to make my suffering beautiful



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