The 2013 FLAC hits the "Goldilocks Zone." It is better than the noisy originals and more practical than the enormous 24-bit/192kHz files (which offer no audible improvement for this 1971 analog tape). The Emotional Context: Listening in Lossless Why go through the trouble of finding the "Michael Jackson - Got To Be There -2013- -FLAC" ?
| Edition | Format | Dynamic Range | Verdict | | :--- | :--- | :--- | :--- | | | CD/16-bit | DR10 | Hissy, bright, but honest. | | 2001 "Two Classic Albums" | CD/MP3 source | DR7 | Avoid. Heavy noise reduction. | | 2009 "The Motown Years" | 24-bit/96 kHz | DR9 | Good, but brickwalled for box set. | | 2013 Standalone FLAC | 16-bit/44.1 FLAC | DR12 | Definitive digital edition. | | 2023 Streaming (Hi-Res) | 24-bit/192 kHz | DR11 | Overkill sample rate; same master as 2013. | Michael Jackson - Got To Be There -2013- -FLAC ...
The child is singing. And for the first time, the digital noise gets out of the way. Experience the definitive lossless version of the King of Pop’s debut. An in-depth review of the Michael Jackson - Got To Be There -2013- -FLAC remaster, dynamic range analysis, and audiophile listening notes. The 2013 FLAC hits the "Goldilocks Zone
Published: October 26, 2023 | Category: Audio Reviews, Audiophile Analysis | | 2001 "Two Classic Albums" | CD/MP3 source | DR7 | Avoid
This article explores why the 2013 FLAC (Free Lossless Audio Codec) version of Got To Be There is considered a hidden gem, how it compares to previous pressings, and what you should listen for in the lossless spectrum. 2013 marked a quiet revolution in the way Motown/Universal handled legacy artists. Amidst the "Vinyl Revival" and the rise of high-res streaming platforms (like HDtracks and Qobuz), the label decided to revisit the early Jackson 5 solo catalog.
Michael Jackson, Got To Be There, FLAC, Lossless Audio, 2013 Remaster, Audiophile, Motown, High-Resolution Audio, Dynamic Range, Kevin Reeves.
Searching for isn't merely a query for a file type; it’s a quest for sonic purity. It is the pursuit of hearing a 13-year-old prodigy with an unprecedented level of dynamic range, free from the compression that plagues modern streaming.