Mastermix Classic Cuts Volume 1 - 100 -complete...
Whether you are a mobile DJ doing a 50th birthday with a 70s theme, or a club DJ wanting to drop a rare extended mix of a 1984 classic, these 100 discs represent the apex of physical DJ media.
In the world of mobile DJs, club nights, and radio programming, few names command as much respect as . For decades, this UK-based service has been the gold standard for professional DJs who need legal, high-quality, and perfectly edited tracks. But within their vast catalogue, one series stands head and shoulders above the rest as a true monument to DJ culture: Mastermix Classic Cuts . Mastermix Classic Cuts volume 1 - 100 -complete...
Unpacking the Most Ambitious Back-Catalogue DJ Library in History Whether you are a mobile DJ doing a
The answer was . Each disc was a "mix-show ready" compilation. Unlike standard "best of" albums, these featured DJ-friendly intros (no cold starts), early fade-outs to save time, and correct pitch/BPM for seamless mixing. But within their vast catalogue, one series stands
If you have ever searched for the phrase , you are likely a DJ on a holy grail mission, a collector of physical media, or a historian of dance music. This article is your definitive guide to that legendary run—exploring why volumes 1 through 100 remain the most sought-after DJ tool ever produced. What Are Mastermix Classic Cuts? Launched in the late 1980s by the UK-based company Music Factory (now part of DJ Magazine’s parent group), the Classic Cuts series was born from a simple, brilliant idea: DJs spend hours (and a fortune) buying original CDs or vinyl for just one track they need for a wedding, a 70s night, or a school disco. Why not create a series of CDs—each packed with 15-20 fully licensed, radio-edited hits—focused on a single genre, decade, or theme?
In an age where streaming algorithms serve you the same 200 "universal hits," owning gives you the power of discovery. You will find B-sides that became floor fillers. You will find the perfect version of Superstition with a 4-bar drum intro. You will have a library that works offline, never buffers, and never disappears due to a licensing dispute.