Short, Easy Dialogues

15 topics: 10 to 77 dialogues per topic, with audio

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February 22, 2018: "500 Short Stories for Beginner-Intermediate," Vols. 1 and 2, for only 99 cents each! Buy both e‐books (1,000 short stories, iPhone and Android) at Amazon (Volume 1) and at Amazon (Volume 2). All 1,000 stories are also right here at eslyes at Link 10.


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Dec. 18, 2016. All 273 Dialogues below are error‐free. NOTE: The number following each title below (which is the same number that follows the corresponding dialogue) is the Flesch‐Kincaid Grade Level. See Flesch‐Kincaid or FREE Readability Formulas, or Readability‐Grader, or Readability‐Score. These grade levels are not "true" grade levels, because the dialogues are not in "true" paragraph form (because of the A: and B: format). However, the grade levels are true in the sense that they are truly relative to one another.


Love And Other Drugs Script May 2026

Most romantic comedies rely on "meet-cutes" and witty banter. This script relies on de-escalation . Maggie refuses to be romanticized. When Jamie tries to be sweet, she calls him out. MAGGIE: You don't get it. You want to save me? Find a cure. Otherwise, shut up and take off your pants.

In a cinematic landscape filled with safe, predictable love stories, this script remains a beautiful, messy, explicit, and heartbreaking anomaly. It reminds us that love isn't a sale. It isn't a cure. Sometimes, it is just learning what to do with your hands when everything else falls apart. love and other drugs script

That is the thesis of the script. It is a pill that is half-blue and half-white. It is bitter and sweet. And for that reason, it remains one of the most honest depictions of early adult love ever put to page. Whether you are a screenwriter looking to crack the tonal whip, a student of romantic comedies, or simply a fan who wants to re-read the "Chicago hotel room" monologue, tracking down the Love and Other Drugs script is worth the effort. Most romantic comedies rely on "meet-cutes" and witty banter

Why won't you let me in?

However, over time, the has become a cult favorite among writing workshops because it breaks the cardinal rule of genre: It refuses to decide if it is a comedy or a tragedy. When Jamie tries to be sweet, she calls him out



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