For audiophiles and collectors, however, one specific format of this release stands above the rest: . This combination—artist, album, lossless codec, and release year—has become a coveted search string for those who want to experience Fygi’s nuanced vocals and the meticulous studio production in their purest form. The Album: Tracklist and Musical Landscape The Best Is Yet To Come is not a traditional jazz album, nor is it mainstream pop. It exists in a lush, elegant middle ground—often called “adult contemporary” or “sophisticated pop.” The tracklist is a carefully curated journey through 14 songs that span genres and eras, each reimagined with Fygi’s signature blend of restraint and tender intimacy.
Introduction: The Dutch Diva of Sophisticated Pop In the pantheon of contemporary jazz and cabaret singers, few possess the velvet warmth and emotional directness of Laura Fygi. Born in the Netherlands to a Dutch father and an Egyptian mother, Fygi has built a three-decade-long career on bridging the gap between American jazz standards, Brazilian bossa nova, and French chanson.
By 2011, Laura Fygi was already a seasoned star, having sold over 1.5 million albums worldwide. Yet, with The Best Is Yet To Come , she wasn’t just releasing another collection of cover songs. She was making a statement. The album’s title—borrowed from the classic Harold Arlen and Johnny Mercer standard—is both a nod to the Great American Songbook and a personal manifesto. At an age when many singers begin to slow down, Fygi declared vitality, elegance, and a forward-looking optimism.
The album is not about sonic fireworks or deep bass drops. It is about subtlety, nuance, and emotional truth. And those qualities are fragile—easily lost in lossy compression. Hearing Laura Fygi’s voice in FLAC is like removing a light fabric from a painting. The colors become richer, the brushstrokes clearer, the artist’s intent intact.
