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Despite this, the decades following Stonewall saw a deliberate "mainstreaming" of the gay rights movement. In the 1970s and 80s, gay activists seeking legitimacy from cisgender, heterosexual society often distanced themselves from "gender deviants." Drag queens and trans people were viewed as "too visible," too flamboyant, or too difficult to explain to the press. This led to what Rivera famously lamented as the "gay white male" takeover—a period where the "T" in LGBT was tolerated but not celebrated. While the political front was fracturing, the cultural front was synthesizing. The ballroom culture of New York, Chicago, and Atlanta became the underground oxygen tank for Black and Latinx trans women and gay men.

Originating in the 1920s but exploding in the post-Stonewall era, ballroom offered a "safe space" in a world that rejected trans and queer bodies. Here, the concept of "realness" was born—the art of blending seamlessly into cisgender, heterosexual society to survive walking down the street, but celebrating the performance of that identity on the runway. ebony+shemaletube+new

Johnson, a self-identified drag queen and trans activist, and Rivera, a Latina trans woman and co-founder of Street Transvestite Action Revolutionaries (STAR), were at the front lines of the violent resistance against police brutality at the Stonewall Inn. They housed homeless queer youth and trans sex workers when no shelter would take them. Despite this, the decades following Stonewall saw a